Plato's dialogue explores whether poetic inspiration comes from divine madness or technical skill through a conversation between Socrates and the rhapsode Ion. This ancient Greek philosophical work examines the nature of artistic creation and knowledge, translated by Benjamin Jowett.
The Ion is the shortest, or nearly the shortest, of all the writings which bear the name of Plato, and is not authenticated by any early external testimony. The grace and beauty of this little work supply the only, and perhaps a sufficient, proof of its genuineness. The plan is simple; the dramatic interest consists entirely in the contrast between the irony of Socrates and the transparent vanity and childlike enthusiasm of the rhapsode Ion. The theme of the Dialogue may possibly have been suggested by the passage of Xenophon's Memorabilia in which the rhapsodists are described by Euthydemus as 'very precise about the exact words of Homer, but very idiotic themselves.' (Compare Aristotle, Met.) Ion the rhapsode has just come to Athens; he has been exhibiting in Epidaurus at the festival of Asclepius, and is intending to exhibit at the festival of the Panathenaea. Socrates admires and env…Continue reading →
This is the Benjamin Jowett translation, a public-domain English text. Marginalia presents it unabridged, with chapter navigation, your reading position saved, and optional AI commentary on any passage.
Ancient Greece's most influential philosopher, this student of Socrates founded the Academy in Athens around 387 BCE and taught Aristotle. Through dialogues like "The Republic," he explored justice, truth, and ideal government, introducing concepts like the Theory of Forms that shaped Western thought for over two millennia. All works by Plato →
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